“The judge, the pianist, and workman,” he wrote, are interpreters. “Interpreters are always necessary because instructions are always incomplete.” The workman can do with his eye what the judge does with intuition and logic, what the pianist does with intuition and ear: he or she can measure with astonishing accuracy those things that can never be specified, isolate nuances that are too subtle to be described. No law book could be complete enough to handle the specifics of every individual case; no musical score could possibly convey how long each note must hang in the air, or precisely how loudly it should sound out; no boat design could determine a single, absolute outcome of every curve.

The closure of our current location means the end of The Victorian Wooden Boat Centre as we know it. There will never be another opportunity to recreate what we have here and keep it viable. We will wind down the VWBC until its lease ends, at which point it will close permanently.

A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation. The four categories are “Extinct in the UK”, “Critically Endangered”, “Endangered” and “Currently Viable”

Brooks’ research in Japan focuses on the techniques and design secrets of the craft. These techniques have been passed from master to apprentice with almost no written record.

A surreal year it certainly was, although, if you are going to be locked down, it might as well be in a cosy workshop with a pile of plywood to scarph and a roll of lovely Oughtred drawings. The reality of what a world pandemic meant hit home most when epoxy paint became unobtainable in the colour white.

The photographs and article come all the way from Hungary.  The images speak for themselves of family bonds, of patient learning, of persistence and of dreams. This is the story of Eight And A Half.